{"id":25510,"date":"2022-03-10T09:58:09","date_gmt":"2022-03-10T14:58:09","guid":{"rendered":"https:\/\/downingtowntimes.com\/?p=25510"},"modified":"2022-03-10T10:00:54","modified_gmt":"2022-03-10T15:00:54","slug":"on-stage-slambovian-circus-of-dreams-finally-returns-to-local-stage","status":"publish","type":"post","link":"https:\/\/downingtowntimes.com\/?p=25510","title":{"rendered":"On Stage: Slambovian\u00a0Circus of Dreams finally returns to local stage"},"content":{"rendered":"<p><strong>By Denny Dyroff<\/strong>, <em>Entertainment Editor, The Times<\/em><\/p>\n<p>It is said that good things come to those that wait.<\/p>\n<div id=\"attachment_15714\" style=\"width: 360px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-15714\" class=\"size-medium wp-image-15714\" src=\"https:\/\/downingtowntimes.com\/wp-content\/uploads\/2022\/03\/slambo.jpg\" alt=\"\" width=\"350\" height=\"280\" \/><p id=\"caption-attachment-15714\" class=\"wp-caption-text\">Slambovian\u00a0Circus of Dreams<\/p><\/div>\n<p>Fans of the\u00a0Slambovian\u00a0Circus of Dreams have been waiting for a long time to hear the band perform a live show in the area \u2013 waiting since December 2019.<\/p>\n<p>COVID-19 wiped out all shows in 2020 and in most of 2021. Then, there was a long-awaited Slambovian\u00a0Circus of Dreams New Year\u2019s Eve Eve show on the World Caf\u00e9 Live schedule. But COVID snuck in the side door and that show got postponed.<\/p>\n<p>Now, the wait is over and good things are about to be delivered.<\/p>\n<p>On March 13, the World Caf\u00e9 Live (3025 Walnut Street, Philadelphia, 215-222-1400, <a href=\"http:\/\/www.worldcafelive.com\/\">www.worldcafelive.com<\/a>) will host a show by the Slambovian Circus of Dreams \u2013 a rescheduled date for the cancelled December show. <!--more--><\/p>\n<p>The \u201cgood things\u201d for which fans have been waiting are, obviously, the live show along with the release of a new album by the Slambovians.<\/p>\n<p>\u201cA Very Unusual Head,\u201d which\u00a0is the band\u2019s sixth studio album, was released January 21, 2022, on their new label, Storm King Records.<\/p>\n<p>The Slambovian Circus of Dreams has been together since 1998 and still features a trio of founding members\u00a0&#8212; Joziah Longo\u00a0(songwriter, lead singer, guitarist),\u00a0Tink Lloyd\u00a0(accordion, cello, flute, ukulele, theremin, keyboards),\u00a0and Sharkey McEwen\u00a0(guitar, mandolin). They will be joined for this show by RJ MacCarthaigh (bass, keys, sax), Bob Torsello (bass), and Matthew Abourezk (drums).<\/p>\n<p>\u201cWith the New Year\u2019s Eve Eve show, the club just gave us a couple days\u2019 notice,\u201d said Lloyd, during a phone interview Monday afternoon from their home in the Hudson Highlands in New York State. \u201cWith such short notice, we couldn\u2019t really warn people.<\/p>\n<p>\u201cIt seems a band that just played there had COVID and then a few of the staff members at World Caf\u00e9 got COVID. So, the club has decided to postpone some of the upcoming shows just to be safe.<\/p>\n<p>\u201cThey wanted to reschedule our show for March 3, but we didn\u2019t want a Thursday night. A lot of our fans travel far for the shows and others have to get up for work the next morning. So, the club moved the show to Sunday March 13.<\/p>\n<p>\u201cThis will be our official album release show in Philly \u2013 and only our third show of the year. We played The Kate in Connecticut in February, and we have a show on March 11 at The Cooperage in Honesdale (PA).\u201d<\/p>\n<p>Recorded over the last four years in five studios and two countries, the album is a step away from the\u00a0guitar-based Americana vibe heard on their previous albums.<\/p>\n<p>\u201cA Very Unusual Head\u201d is a real\u00a0Slambovian\u00a0tribal project with contributions from many friends and a few \u201cspecial guests\u201d such as Dar Williams,\u00a0Anthony Thistlethwaite (The Waterboys),\u00a0Kolson Pickard (Tall Heights, Pico Romanesque), drummer\u00a0Felipe Torres\u00a0(protege of Carmine Appice and sideman for Davey Jones), drummer\u00a0Matt Abourezk\u00a0(Thin White Rope) and Tristan Tadin\u00a0(keyboards).<\/p>\n<p>Canadian engineer\u00a0Dio Tadin\u00a0(Tristan\u2019s father) recorded the bulk of the album on a former reindeer farm near Peterborough, Ontario and at Big Blue in Cornwall, New York. Tadin\u2019s resume includes work at Daniel Lanois\u2019 studio in Hamilton, Ontario.<\/p>\n<p>\u201cWe recorded two-thirds of the album in 2018,\u201d said Lloyd. \u201cWe got half of it mixed and then COVID hit. \u201cWe released \u2018Beez\u2019 as a single and made an EP that was only sold at our U.K. tour.<\/p>\n<p>\u201cLast spring, we pulled together all the tracks recorded over the last five years. We did a lot of work with Dio Tadin in Peterborough, Ontario. Then, the Tadins moved their studio (Big Blue) to Cornwall, New York \u2013 which is near us. We finished making the album there.\u201d<br \/>\nInspired by the Surrealists and early British Psychedelia and the paths they pioneered, the songs on the album deal with topics ranging from the pseudo-scientific to the pseudo-religious realms and other forms of hob-nobbery for fun and profit.<\/p>\n<p>According to Longo, \u201c\u2018A Very Unusual Head\u2019\u00a0is dedicated to all the people who find themselves having to function in\u00a0spectrums outside the accepted norms. Here\u2019s to you&#8230; Good luck everybody!\u201d<\/p>\n<p>As always, the Slambovians\u2019 songs feature great instrumentals accompanied by lyrics that are intelligent, socially aware, witty and mindful. Longo is a modern-day troubadour bringing a message to the people of 2022.<\/p>\n<p>The new album displays many of the band\u2019s influences &#8212; Beatles, Bowie, Incredible String Band, Syd Barrett, Brahms and The Waterboys\u2026along with a good measure of Woodstock-era psychedelia.<\/p>\n<p>Longo is a Philly native who went to St. John Neumann High which back then was called Bishop Neumann High. Both the school and Longo\u2019s childhood home are located in South Philadelphia \u2013 a hotbed for Mummers\u2019 activity.<\/p>\n<p>Each year, the band has treated area fans to a New Year\u2019s Eve Eve show at the World Caf\u00e9 Live \u2013 but not in 2020 or 2021. This show in 2022 will offer a little of that holiday vibe.<\/p>\n<p>\u201cThe show will tip the hat a little to New Year\u2019s Eve Eve \u2013 but not fully,\u201d said Lloyd. \u201cWe\u2019ll just do a little of \u2018Golden Slippers\u2019 and then go into \u2018Alice in Space.\u2019 It will kick off the new year for our fans.\u201d<\/p>\n<p>In a prior interview, Longo said, \u201cI really appreciate this band. It brings down a certain realm. I feel like I\u2019m in the 70\u2019s. I particularly dig the vibe of this band. In addition to me, Tink and Sharkey, we have Bob Tomasello, a punk bass player, and Felipe Torres. He\u2019s been playing drums and percussion for us for a few years. He used to be the drummer for Davy Jones of the Monkees.\u201d<\/p>\n<p>The\u00a0Slambovian\u00a0Circus of Dreams has its roots in another New York band.<\/p>\n<p>\u201cWe were in a group called The Ancestors in New York,\u201d said Longo. \u201cEddie Kramer, who was the Stones\u2019 engineer and producer, did an album with us. That brought everybody around to see us play. We were doing really well. One time, we played Carnegie Hall and CBGBs the same night.<\/p>\n<p>\u201cWe were ahead of the curve and then we disappeared \u2014 on purpose. We went to the hinterlands and hid out in the folk scene. We were playing folk music that was different with things like an electric slide mandolin. It was \u2018Floydian\u2019folk. The folkies really took to it. We found our niche.\u201d<\/p>\n<p>They found a niche and they found a new name \u2014 Gandalf Murphy and The\u00a0Slambovian\u00a0Circus of Dreams.<\/p>\n<p>\u201cIt was just a name I made up,\u201d said Longo. \u201cEventually, we cut off the Gandalf part. It made it easier to fit the name on marquees.\u201d<\/p>\n<p>Video link for Slambovian Circus of Dreams \u2013 <a href=\"https:\/\/youtu.be\/fe4VpB72FOE\">https:\/\/youtu.be\/fe4VpB72FOE<\/a>.<\/p>\n<p>The show at the World Caf\u00e9 Live on March 13 will start at 8 p.m. Tickets are $24 and $30.<\/p>\n<div id=\"attachment_15715\" style=\"width: 228px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-15715\" class=\"size-medium wp-image-15715\" src=\"https:\/\/downingtowntimes.com\/wp-content\/uploads\/2022\/03\/rush-218x300.jpg\" alt=\"\" width=\"218\" height=\"300\" \/><p id=\"caption-attachment-15715\" class=\"wp-caption-text\">Tom Rush<\/p><\/div>\n<p>For Tom Rush, one of America\u2019s most revered folksingers, it has been either feast or famine regarding his schedule of live shows.<\/p>\n<p>\u201cI\u2019ve been getting whiplash,\u201d said Rush, during a phone interview Tuesday afternoon from his home in southern Maine.<\/p>\n<p>\u201cMy agent managed to pack all 18 months of cancelled shows into three months in the fall. It got crazy.\u201d<\/p>\n<p>This weekend, Rush will play two shows in the area \u2013 March 11 at The Pour House at New Hope Winery, 6123 Lower York Road, New Hope, <a href=\"http:\/\/newhopewinery.com\/\">newhopewinery.com<\/a>) and March 13 at the Baby Grand (818 North Market Street, Wilmington, Delaware, )<\/p>\n<p>\u201cPlaying again in front of live audiences is a treat,\u201d said Rush.<\/p>\n<p>Rush released his first album, \u201cTom Rush at the Unicorn,\u201d in 1962. His most recent album \u201cVoices\u201d will be released in April 2018 via West Chester-based Appleseed Records. His two prior records were also Appleseed releases \u2013 \u201cCelebrates 50 Years of Music\u201d in 2013 and \u201cWhat I Know\u201d in 2009.<\/p>\n<p>Altogether, Rush has put out 26 albums in 56 years \u2013 and just eight since the turn of the century.<\/p>\n<p>\u201cI\u2019ve been writing a lot,\u201d said Rush. \u201cI just introduced a brand-new song called \u2018I Quit.\u2019 It\u2019s a song about leaving.<\/p>\n<p>\u201cI have enough new songs to make an album, but I\u2019d like to have more. I\u2019d like to go in the studio with 16 and pick 12.\u201d<\/p>\n<p>Fortunately, he is much more active when it comes to live performances. Rush is a consummate performer who always delivers an entertaining show when he takes the stage to perform his songs and choice songs by other artists.<\/p>\n<p>Rush stayed active during the pandemic via a project he calls \u201cRockport Sundays.\u201d<\/p>\n<p>\u201cI started \u2018Rockport Sundays\u2019 back in December,\u201d said Rush, during a recent phone interview from his home in southern Maine. \u201cIt\u2019s a subscription through Patreon. I was living in Rockport and posted a new episode every Sunday at midnight.\u201d<\/p>\n<p>When he was first starting the series, he posted this message on his website \u2013<\/p>\n<p>\u201cI have something I really want to do, and I\u2019m going to need your help to do it. I\u2019m starting a weekly series of online offerings \u2014 old songs, new songs, stories, pages from a book I\u2019m working on. Since they\u2019ll be coming out of my studio in Rockport, Mass, I thought I\u2019d call the series \u201cRockport Sundays\u201d.<\/p>\n<ul>\n<li>Every Sunday I&#8217;ll send you something special \u2014 one week it&#8217;ll be a Kitchen Table video recording of an old song, the next week a new song, then a road story from my 50+ years of crazy rambling, then some pages from a book I&#8217;m working on.<\/li>\n<li>I\u2019m thinking of this as kind of a Backstage Pass to my creative process, my relationship with the songs I love, stories about my adventures (and misadventures) on the road. Now, these won\u2019t be super-slick \u2014 there\u2019ll be some rough edges. This is me at home, after all, and believe it or not, my life is not highly polished!<\/li>\n<li>You\u2019ll be joining me for some serious fun, AND you\u2019ll be giving me an incentive (an imperative, actually) to keep on creating new work \u2014 and to spruce up and finish up the piles of odds and ends I\u2019ve had lying around for years.<\/li>\n<li>It\u2019s a monthly subscription that auto-renews and charges your card immediately and then on the first of every month going forward.\u00a0You can unsubscribe any time you like (but I\u2019ll do my level best to make sure you don\u2019t want to).<\/li>\n<li>. If you&#8217;re having a good time,\u00a0please help spread the word\u00a0\u2014 the more the merrier!<\/li>\n<\/ul>\n<p>Thanks in advance for supporting me, helping me to do what I love!!\u201d<\/p>\n<p>\u201cBasically, it\u2019s me at my kitchen table doing a song or a story every Sunday,\u201d said Rush. \u201cThen, it stays up for eight weeks. It\u2019s been very well-received. It\u2019s a way of communicating with my audience.<\/p>\n<p>\u201cI keep it short. If you do an hour, you lose the audience by the end. It\u2019s been fun and very casual. I work with Mark Steele and the video is very professional.<\/p>\n<p>\u201cMy favorite sideman is Matt Nakoa. I just finished three episodes with Jonathan Edwards who sings a couple songs on his own.<\/p>\n<p>\u201cIt goes back to February 2020. I had just started my \u2018First Annual Farewell Tour\u2019 when everything shut down. I started out doing cell phone videos. I was trying to figure out a way to connect with my audience.\u201d<\/p>\n<p>The audience in Wilmington will be getting much more than a song or two. Rush will be performing a number of songs from \u201cVoices,\u201d an album that has its own special niche in Rush\u2019s long discography.<\/p>\n<p>Over the course of his 50-year-plus career, one of Rush\u2019s defining gifts has been his ear for the faint voices of significant new songs by little-known writers. The New England-based singer-guitarist was among the very first to record future standards by then-fledgling performers\u00a0Joni Mitchell, James Taylor\u00a0and Jackson Browne\u00a0on his 1968 album \u201cThe Circle Game.\u201d<\/p>\n<p>Rush brought a later generation of singer-songwriters such as\u00a0Nanci Griffith\u00a0and\u00a0Shawn Colvin\u00a0to wider audiences as part of his tours. James Taylor and country music superstar\u00a0Garth Brooks\u00a0have both named him as a major influence.<\/p>\n<p>Until \u201cVoices,\u201d Rush has been heard only sparingly as a songwriter, with only a few tantalizing handfuls of originals \u2013 about 20 \u2013 spread out over eleven studio albums.<\/p>\n<p>\u201cVoices\u201d\u00a0is the first album ever of all-Rush originals \u2013 10 relaxed, warmhearted, amused and sometimes thoughtful songs that perfectly reflect his wry persona.<\/p>\n<p>\u201cA bunch of songs all of a sudden came out,\u201d said Rush. \u201cOur daughter was going away to college, so we were moving from Vermont but didn\u2019t know where. We moved to southern New Hampshire and rented a farmhouse from our friends Bob and Laura a few years ago.<\/p>\n<p>\u201cIt was a peaceful countryside exterior, but it was in some ways boring. That\u2019s where the songwriting started. I kept getting ideas for songs.<\/p>\n<p>\u201cSometimes, songs take a long time for me to write. These songs came rapidly because I didn\u2019t have anything else to go.\u201d<\/p>\n<p>There might have also been another reason and the veteran singer had a theory.<\/p>\n<p>According to Rush,\u00a0\u201cIt might be some musical equivalent of epicormics branching, where a tree that\u2019s stressed or elderly starts putting out shoots in great profusion.\u201d<\/p>\n<p>Whatever the reasons, the results were enough to bring smiles to fans\u2019 faces everywhere.<\/p>\n<p>\u201cI always wrote on guitar,\u201d said Rush. \u201cEvery song came differently. A lot of times, it\u2019s a phrase \u2013 just a few words that suggest a melody. Sometimes, it starts with a melody. There is no pattern.<\/p>\n<p>\u201cMy pattern is to write too much. Each song tended to end up too long. You find that out when you take them in front of a live audience.<\/p>\n<p>\u201cI was taking audio notes on my cell phone. Once I had enough to go in the studio, I\u2019d set up with a mic going into a computer. Then, I\u2019d send what I had recorded to my producer Jim Rooney.<\/p>\n<p>\u201cI had all the songs written before I went in the studio with Jim &#8212; and then I wrote one more in the sessions. We were wrapping up and I only had 11 songs. Jim said we needed a 12th track. He insisted on it.<\/p>\n<p>\u201cSo, I had to write another in my hotel room, and I wrote \u2018If I Never Get Back to Hackensack.\u2019 We recorded the album in May 2017 at The Butcher Shop \u2013 a studio in Nashville.<\/p>\n<p>\u201cJim brought in some really great studio musicians to play on the album \u2013 players who are known as \u2018Rooney\u2019s Irregulars\u2019 including\u00a0Matt Nakoa on piano, Sam Bush on mandolin and fiddle along with Kathy Mattea and Suzi Ragsdale on background vocals.\u201d<\/p>\n<p>It has been more than a half-century since Rush made people take notice with one particular song &#8212; \u201cUrge for Going,\u201d which was written by Joni Mitchell and recorded by Rush in 1968. It quickly became one of Rush\u2019s signature songs.<\/p>\n<p>\u201cThe Baby Grand is a nice venue,\u201d said Rush. \u201cI\u2019ve played there several times and they\u2019ve always been great shows.<\/p>\n<p>Video link for Tom Rush \u2013\u00a0<a href=\"https:\/\/youtu.be\/AWSWUD5soGM\">https:\/\/youtu.be\/AWSWUD5soGM<\/a>.<\/p>\n<p>The show at the Baby Grand on March 13 will start at 7 p.m. Tickets are $38.<\/p>\n<p>The show in New Hope on March 11 will start at 8 p.m. Tickets are $50.<\/p>\n<div id=\"attachment_15716\" style=\"width: 360px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-15716\" class=\"size-medium wp-image-15716\" src=\"https:\/\/downingtowntimes.com\/wp-content\/uploads\/2022\/03\/dan-may-350x246.jpg\" alt=\"\" width=\"350\" height=\"246\" \/><p id=\"caption-attachment-15716\" class=\"wp-caption-text\">Dan May<\/p><\/div>\n<p>On March 11, Dan May, one of the area\u2019s most talented and resilient singer-songwriters, will headline a show at Kennett Flash (102 Sycamore Alley, Kennett Square, 484-732-8295,\u00a0<a href=\"http:\/\/www.kennettflash.org\/\">http:\/\/www.kennettflash.org<\/a>)<\/p>\n<p>When the COVID-19 pandemic hit, some people virtually became hermits. May literally became a hermit.<\/p>\n<p>\u201cI stopped going out for any reason,\u201d said May, during a phone interview from his home in Drexel Hill. \u201cI was really sequestered. I had everything delivered. The only times I went out were for a Soundbooth Session at the Sellersville Theater and two Livestream performances from Morningstar Studio.\u201d<\/p>\n<p>May was scheduled to headline a show last year at the Sellersville Theater but it never happened. The show got postponed and its cancellation had nothing to do with COVID-19.<\/p>\n<p>\u201cI got a virus that went straight to my voice,\u201d said May. \u201cI don\u2019t know how I got it. I have no idea what its name is. I just know that it paralyzed my vocal cords. The virus made it impossible for me to sing.\u201d<\/p>\n<p>May took a circuitous route to his current place as a singer\/songwriter.<\/p>\n<p>He has worked as a gravedigger, television cameraman, short order cook, nuclear missile security guard, gas station attendant, ice cream truck driver, delivery man, amusement park worker and greenhouse laborer.<br \/>\nWhile studying music composition in college, he inadvertently stumbled upon an international opera career that forced him to leave a promising future as a songwriter behind.<\/p>\n<p>\u201cI grew up in Sandusky, Ohio,\u201d said May. \u201cI went to Bowling Green University and studied journalism. Then, I was writing for a daily newspaper.<\/p>\n<p>\u201cMy wife wanted to go to Ohio State University, so we moved to Columbus. I went to Ohio State as a composition major. Somebody said I should sing opera, so I decided to try it.<\/p>\n<p>\u201cI studied opera at the Academy of Vocals Arts for four years. That\u2019s what brought us to this area, and we\u2019ve been here ever since. I was a bass\/baritone and sang professionally for 12 years.\u201d<\/p>\n<p>Then, his path took another unexpected turn.<\/p>\n<p>\u201cI had surgery on my vocal cords,\u201d said May. \u201cThey had become paralyzed. In the surgery, they injected fat into my vocal cords. I can sing with a full range, but my voice can\u2019t meet the demands of singing opera \u2013 especially the volume needed.<\/p>\n<p>\u201cI switched to being a singer\/songwriter in 2005 and I\u2019ve released six records since then. I also did two CDs with Elise Dadourian.\u201d<\/p>\n<p>May\u2019s sextet of LPs includes \u201cOnce Was Red,\u201d \u201cFate Said Nevermind,\u201d \u201cThe Long Road Home,\u201d \u201cHeartland,\u201d \u201cDying Breed\u201d and \u201cBeacon.\u201d The albums with Dadourian are \u201cGold Brick Road\u201d and \u201cSimple Truth.\u201d<\/p>\n<p>Video link for Dan May &#8212;\u00a0<a href=\"https:\/\/youtu.be\/nkeTZzjzEGM\">https:\/\/youtu.be\/nkeTZzjzEGM<\/a>.<\/p>\n<p>The show at Kennett Flash on March 11 will start at 8 p.m.<\/p>\n<p>Tickets are $25.<\/p>\n<p>Other upcoming shows at Kennett Flash are Beyond the Pale on March 12 and Know Return on March 13.<\/p>\n<div id=\"attachment_15717\" style=\"width: 360px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-15717\" class=\"size-medium wp-image-15717\" src=\"https:\/\/downingtowntimes.com\/wp-content\/uploads\/2022\/03\/okla-350x233.jpeg\" alt=\"\" width=\"350\" height=\"233\" \/><p id=\"caption-attachment-15717\" class=\"wp-caption-text\">Oklahoma!<\/p><\/div>\n<p>It has been a while since a stage production of the classic musical \u201cOklahoma!\u201d has been performed in Philadelphia.<\/p>\n<p>That changed this week with the arrival of the Tony Award-winning revival of Rodgers &amp; Hammerstein\u2019s \u201cOklahoma!\u201d The show is making its Philly premiere\u00a0at the Forrest Theatre (1114 Walnut Street, Philadelphia, <a href=\"http:\/\/www.kimmelculturalcampus.org\/\">www.kimmelculturalcampus.org<\/a>) now through March 20.<\/p>\n<p>\u201cOklahoma!\u201d marks the first production to re-open the Forrest Theatre since the COVID pandemic shut everything down.<\/p>\n<p>The Forrest Theatre, which is owned by The Shubert Organization, is presenting this touring production in partnership with the Kimmel Cultural Campus.\u00a0\u201cOklahoma!\u201d first played the Forrest Theatre in 1945 and last played the venue on October 6, 1979.<\/p>\n<p>Rodgers &amp; Hammerstein&#8217;s \u201cOklahoma!\u201d is one of the quintessential American musicals. For 15 years (1946-1961), it held the record as the longest running show on Broadway and, at one time, the National Tour of \u201cOklahoma!\u201d held the record as the longest continual tour.<\/p>\n<p>Even though it has been more than 75 years since the hit musical made its Broadway debut (March 31, 1943, at the St. James Theatre), it is still as popular as ever. The new national tour has been playing to full houses in theaters around the country.<\/p>\n<p>The show is set in the early 1900s on a farm that is about three hours from the closest town. It&#8217;s right before Oklahoma became a state &#8212; a few years after the land rush.<\/p>\n<p>\u201cOklahoma!\u201d is a story about Laurey, the girl that is in love with Curly. It\u2019s a love story between the two &#8212; and there\u2019s an evil farmhand (Jud) who also is in love with Laurey.<\/p>\n<p>Aunt Eller (Laurey\u2019s aunt) has a strong hand in everything. Laurey\u2019s two best friends&#8211; Ado Annie and Will Parker &#8212; add comic relief.<\/p>\n<p>This revival is\u00a0\u201cOklahoma!\u201d as it has never been seen before.<\/p>\n<p>The production has been re-imagined for the 21st century. However, not a word of text was changed in the script from the original Rodgers &amp; Hammerstein 1943 musical.\u00a0Directed by Daniel Fish, this production won the Tony Award for Best Revival of a Musical.<\/p>\n<p>\u201cWe\u2019ve been out on tour since mid-October,\u201d said Hennessy Winkler (Will Parker), during a recent phone interview from a tour stop in Buffalo, New York.<\/p>\n<p>\u201cI auditioned during the lockdown period \u2013 recorded auditions. It was before everyone knew the pandemic was going to last so long.<\/p>\n<p>\u201cI got called in for the role of Will Parker. I knew the movie. It was my dad\u2019s favorite musical.<\/p>\n<p>\u201cI grew up in Maui and was \u2018The Little Drummer Boy\u2019 when I was six. I used to get on my grandmother\u2019s mantle and do shows for people.<\/p>\n<p>\u201cI majored in theatre at Marymount University. I\u2019ve always been a theater nerd who loved golden musicals.<\/p>\n<p>\u201cI\u2019m so grateful to have gotten this job. I was a fan of Daniel Fish before I auditioned.\u201d<\/p>\n<p>This new revival by Fish includes a small 12-person cast with no chorus or ensemble. Dancing and choreography are limited. A seven-piece bluegrass band performs on stage. The Grammy-nominated score re-orchestrates some of the most classic songs in American theatre history, resulting in a refreshing modern take on the famous score.<\/p>\n<p>Stripped down to reveal the darker psychological truths at its core, this new revival tells the story of a community banding together against an outsider&#8230;. the production is also funny, sexy, provocative and probing.<\/p>\n<p>\u201cOklahoma!\u201d has always been a story about a community coming together, and this production uses scenic and lighting design to evoke a sense of togetherness. There are moments the lights are left up, moments of total darkness, and a visible band center stage.<\/p>\n<p>The show\u00a0has long been celebrated as an iconic piece of musical theatre, uniting audiences with the idea of a perfect America. But viewed anew in the context of a country still struggling with racial, economic and gender equity, sharply divided by political beliefs, this production pushes back on the notion of a perfect nation &#8212; instead suggesting the idea that America is still very much a work in progress.<\/p>\n<p>\u201cWith \u2018Oklahoma!,\u2019 there is a darkness I\u2019ve always been captivated with,\u201d said Winkler. \u201cI was obsessed that Daniel has taken \u2018Oklahoma!\u2019 in this direction. He just brought the darkness into the light. He\u2019s taken what\u2019s already there and turned it a little.<\/p>\n<p>\u201cThis is a dream role for me. I\u2019m very much like this character. Daniel is simple. He\u2019s slow on the uptake but he gets there. He loves his girl, and he loves dancing.\u201d<\/p>\n<p>Fish was deliberate and specific about the number of guns presented on stage &#8212; and the look and sound of each.\u00a0The guns used on stage are prop guns and no live ammunition is ever kept on site or on stage. The touring company has been trained in gun safety with experts.<\/p>\n<p>According to a press release for the show, \u201cOklahoma!\u201d is proud to the first gun-neutral show on Broadway and National Tour. For every visible gun in the show (on stage and around the theatre),\u00a0\u201cOklahoma!\u201d will make a minimum donation of $100 per gun on behalf of the show to Gun Neutral\u2019s 501c3 non-profit.<\/p>\n<p>Some things about \u201cOklahoma!\u201d never change.<\/p>\n<p>Audiences love the down-home characters and the timeless appeal of a love story. But, perhaps more than anything else, they love the music &#8212; classic songs such as \u201cOh, What A Beautiful Mornin\u2019,\u201d \u201cPeople Will Say We\u2019re In Love,\u201d \u201cThe Surrey With The Fringe On Top\u201d and, of course, the title track \u201cOklahoma!\u201d<\/p>\n<p>Video link for \u201cOklahoma!\u201d \u2013 <a href=\"https:\/\/youtu.be\/A9FXCGRRGRY\">https:\/\/youtu.be\/A9FXCGRRGRY<\/a>.<\/p>\n<p>\u201cOklahoma!\u201d will run now through March 20 at the Forrest Theatre. Ticket prices start at $47.<\/p>\n<p>Uptown! Knauer Performing Arts Center (226 North High Street, West Chester, <a href=\"http:\/\/www.uptownwestchester.org)\/\">www.uptownwestchester.org)<\/a> is celebrating Women\u2019s History Month with a special performance by Two-Time Grammy\u00ae Winner Rickie Lee Jones om March 13.<\/p>\n<p>Is Celebrating Women\u2019s History Month With Special Performance By Two-Time Grammy\u00ae Winner Rickie Lee Jones.<\/p>\n<p>Jones has spent a lifetime dancing with her muse. She is the most iconic American female singer-songwriter of her time, a woman who outlasted all her adversaries &#8212; including youth and self-destruction.<\/p>\n<p>Her artistry was once again showcased with her most recent album release, \u201cKicks.\u201d The album spans two decades (50s-70s) of pop, rock and jazz, presenting her unique and sophisticated interpretations of songs that were pivotal to her musical journey.<\/p>\n<p>By the time she was 19, Jones was living in Los Angeles, waiting tables and occasionally playing music in out of the way coffee houses and bars. All the while, she was developing her unique aesthetic &#8212; music that was sometimes spoken, often beautifully sung, and always emotionally accessible.<\/p>\n<p>Around this time, Jones\u2019 song, \u201cEasy Money,\u201d caught the attention of one musician and then the music industry. The song was recorded by Lowell George (founding member of Little Feat) on his solo album, \u201cThanks, I\u2019ll Eat It Here.\u201d Shortly thereafter, Warner Brothers auditioned Jones and quickly signed her to the label.<\/p>\n<p>Jones has been a major force in the music scene for more than five decades and more than 20 albums.<\/p>\n<p>In the 70s, Jones won Grammy\u00ae Awards in two categories &#8212; Best Jazz Vocal Performance, Duo or Group and Best New Artist. Jones was also listed as number 30 in VH1\u2019s 100 Greatest Women in Rock &amp; Roll in 1999 while her album, \u201cPirates,\u201d\u00a0reached Number 49 on NPR\u2019s list of the 150 Greatest Albums Made by Women.<\/p>\n<p>Jones\u2019 most recent artistic offering is her memoir, \u201cLast Chance Texaco:\u00a0 The Chronicles of an American Troubadour\u201d (Grove Press).<\/p>\n<p>\u201cLast Chance Texaco\u201d\u00a0is the first ever no-holds-barred account of the life of Jones in her own words.\u00a0 It is a tale of desperate chances and impossible triumphs &#8212; an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music.<\/p>\n<p>With candor and lyricism, Jones takes readers on a singular journey through her nomadic childhood, to her years as a teenage runaway, through her legendary love affair with Tom Waits and ultimately her longevity as the hardest working woman in rock and roll.<\/p>\n<p>Jones\u2019 stories are rich with the infamous characters of her early songs \u2014 \u201cWeasel and the White Boys Cool,\u201d \u201cDanny\u2019s All-Star Joint,\u201d and \u201cEasy Money\u201d \u2014 but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, a pimp with a heart of gold and tales of her fabled ancestors.<\/p>\n<p>The song \u201cLast Chance Texaco\u201d was a song from her debut album, \u201cRickie Lee Jones\u201d (Warner Bros. Records, 1979). The LP was recorded with a crew of all-star musicians including Dr. John, Fred Tackett, Michael McDonald, Randy Newman, Tom Scott, Buzz Feiten, Andy Newmark and Johnny Mandel. At the\u00a022nd Annual Grammy Awards, the song was nominated for Best Female Rock Vocal Performance.<\/p>\n<p>The\u00a0show at Uptown! Knauer Performing Arts Center\u00a0on March 13 will start at 7:30 p.m. Tickets are $62.<\/p>\n<p>Other upcoming shows at Uptown! Knauer Performing Arts Center are Whiskey Rovers\u00a0(March 17), Boston Comedy Festival\u2019s Saint Patrick\u2019s Comedy Spectacular\u00a0(March 18),\u00a0Dueling Pianos\u00a0(March 24), and\u00a0David Liebman &amp; The Dal\u00ed String Quartet featuring WCU Criterions Jazz Ensemble\u00a0(March 25).<\/p>\n<p>Jamey\u2019s House of Music (32 South Lansdowne Avenue, Lansdowne, 215-477-9985, <a href=\"http:\/\/www.jameyshouseofmusic.com\/\">www.jameyshouseofmusic.com<\/a>) will host Denise King on March 11 and Michael Braunfeld on March 12.<\/p>\n<p>Additionally, every week there is a \u201cTHURSDAY NIGHT JAZZ JAM\u201d\u00a0featuring the Dave Reiter Trio and a \u201cSUNDAY BLUES BRUNCH &amp; JAM\u201d featuring the Philly Blues Kings with Maci Miller.<\/p>\n<p>The Ardmore Music Hall (23 East Lancaster Avenue, Ardmore, 610-649-8389,\u00a0<a href=\"http:\/\/www.ardmoremusic.com\/\">www.ardmoremusic.com<\/a>) will present Spirit of NOLA on March 11, Kiefer Sutherland on March 12, and Benefit For Derek Dorsey on March 13 and 15.<\/p>\n<p>118 North (118 North Wayne Avenue, Wayne, <a href=\"http:\/\/www.118northwayne.com\/\">www.118northwayne.com<\/a>) will host The Commissions on March 12, Wally Smith\u2019s Organ Trio on March 13 and Galway Guild on March 16.<\/p>\n<p>The Keswick Theater (291 N. Keswick Avenue, Glenside, 215-572-7650,\u00a0<a href=\"http:\/\/www.keswicktheatre.com\/\">www.keswicktheatre.com<\/a>) will host Al Franken on March 12 and Tower of Power on March 13.<\/p>\n<p>The Sellersville Theater (24 West Temple Avenue, Sellersville, 215-257-5808,\u00a0<a href=\"http:\/\/www.st94.com\/\">www.st94.com<\/a>) will present Kaki King on March 11, Mikey Junior on March 12, Pat Travers on March 13, German Lopez on March 14, John Lodge on March 15 and Edwin McCain on March 16.<\/p>\n<p>Brooklyn Bowl (1009 Canal Street, Philadelphia, <a href=\"http:\/\/www.brooklynbowl.com\/philadelphia\">www.brooklynbowl.com\/philadelphia<\/a>) will host Red Baraat on March 10.<\/p>\n<p>Fillmore Philadelphia (1100 Canal Street, Philadelphia, 215-309-0150, <a href=\"http:\/\/www.thefillmorephilly.com\/\">www.thefillmorephilly.com<\/a>)<\/p>\n<p>10 Briston Maroney on March 10, Maisle Peters on March 11, Conan Gray on March 13, St. Paul and Broken Bones on March \u00a015 and Cowboy Tears on March 16.<\/p>\n<p>PhilaMOCA (531 North 12th Street, Philadelphia, 267-519-9651, <a href=\"http:\/\/www.philamoca.org\/\">www.philamoca.org<\/a>) will present Rick Maguire on March 10 and Paul Cherry on March 11.<\/p>\n<p>Rrazz Room (6426 Lower York Road, New Hope, 888-596-1027, <a href=\"http:\/\/www.therrazzroom.com\/\">www.TheRrazzRoom.com<\/a>) will host Judy Gold on March 12 and 13.<\/p>\n<p>Annenberg Center (3680 Walnut Street, Philadelphia, <a href=\"https:\/\/annenbergcenter.org\/events\">https:\/\/annenbergcenter.org\/events<\/a>) will present Circa on March 11 and 12.<\/p>\n<p>City Winery (990 Filbert Street, Philadelphia, <a href=\"http:\/\/citywinery.com\/philadelphia\">c<\/a><a href=\"http:\/\/citywinery.com\/philadelphia\">itywinery.com\/philad<\/a><a href=\"http:\/\/citywinery.com\/philadelphia\">el<\/a><a href=\"http:\/\/citywinery.com\/philadelphia\">phia<\/a>) presents Shannon McNally on March 10, Joshua Radin on March 11, Poguetry on March12, Crash Test Dummies on March 14 and Such on March 16.<\/p>\n<p>The Met (858 North Broad Street, Philadelphia, <a href=\"http:\/\/themetphilly.com\/\">http:\/\/themetphilly.com<\/a>) will host Rezz on March 11, George Lopez on March 12 and Brit Floyd on March 16.<\/p>\n<p>Theatre of the Living Arts (334 South Street, Philadelphia, 215-222-1011, <a href=\"http:\/\/www.lnphilly.com\/\">http:\/\/www.lnphilly.com<\/a>) will present Kim Gordon on March 16.<\/p>\n<p>Johnny Brenda\u2019s (1201 North Frankford Avenue, Philadelphia, 215-739-9684,<\/p>\n<p><a href=\"http:\/\/www.johnnybrendas.com\/\">www.johnnybrendas.com<\/a>) hosts Geese on March 11, Wilderado on March 12 and Ryley Walker on March15.<\/p>\n<p>Union Transfer (1026 Spring Garden Street, Philadelphia, 215-232-2100, <a href=\"http:\/\/www.utphilly.com\/\">www.utphilly.com<\/a>) will have Galactic on March 11 and The Tallest Man on Earth on March 12.<\/p>\n<p>Franklin Music Hall (421 North Seventh Street, Philadelphia, <a href=\"http:\/\/franklin.musichallphiladelphia.org\/\">http:\/\/franklin.musichallphiladelphia.org\/<\/a>) hosts Ministry on March 9 and Killswitch Engage on March 12.<\/p>\n<p>Punch Line Philly (33 East Laurel Street, Philadelphia, <a href=\"tel:215-606-6555\">215-606-6555<\/a>, <a href=\"http:\/\/www.punchlinephilly.com\/\">http:\/\/www.punchlinephilly.com<\/a>) presents Joe DeRosa from March 10-12 and Chris Redd on March 13.<\/p>\n<p>The American Music Theatre (2425 Lincoln Highway East, Lancaster, 800-0 648-4102, <a href=\"http:\/\/www.amtshows.com\/\">www.AMTshows.com<\/a>) hosts The Oak Ridge Boys on March 12 and The Irish Tenors on March 13.<\/p>\n<p>Tellus 360 (24 East King Street, Lancaster, 717-393-1660, <a href=\"http:\/\/www.tellus360.com\/\">www.tellus360.com<\/a>) presents Clap Your Hands Say Yeah on March 15.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Denny Dyroff, Entertainment Editor, The Times It is said that good things come to those that wait. Fans of the\u00a0Slambovian\u00a0Circus of Dreams have been waiting for a long time to hear the band perform a live show in the area \u2013 waiting since December 2019. COVID-19 wiped out all shows in 2020 and in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25506,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4357],"tags":[10316,3162,10317,4370,2284],"class_list":["post-25510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-d-arts-entertainment","tag-dn-may","tag-featured","tag-oklahoma","tag-slambovian-circus-of-dreams","tag-tom-rush"],"_links":{"self":[{"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/posts\/25510","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25510"}],"version-history":[{"count":1,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/posts\/25510\/revisions"}],"predecessor-version":[{"id":25511,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/posts\/25510\/revisions\/25511"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=\/wp\/v2\/media\/25506"}],"wp:attachment":[{"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25510"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25510"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/downingtowntimes.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25510"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}